Marsha Redman and Poor Ralph (Polk, Nebraska, Chapter II)
More than 20 years ago, I returned from a cross-country trip to attend an awards banquet in Manhattan. On the way back I took a side trip to Polk, Nebraska, to meet my hero, editor-printer Norris Alfred, and his front-page columnist, Marsha Redman. A local housewife, she wrote beguiling humor in the Polk Progress about life’s little adventures, her six kids and, of course, Poor Ralph. When I arrived home, I told my (then) teenage daughter the news: (1) in New York, I had lunch sitting next to the famous and easy-going Walter Cronkite (gazillions of daily TV
Amy was excited.
She asked: “What’s she like?”
When Margo and I showed up in Polk, we stepped into the Post Office to ask for the site of the Progress office. The newspaper died 20 years ago, but the two women behind the counter didn’t hesitate. It’s just up a few doors on Main Street. When asked if they knew Marsha Redman, the answer came fast: “Right across the street, having coffee at Sportsman's. That’s her car parked outside.” Small towns are different from big cities.
In the coffee shop-restaurant-bar, Marsha introduced us to her friend, Millie, and her son, Matt, and Poor Ralph, her husband, who appeared in her columns as the hapless victim of family complexities. He shrugged. Proudly. (Years ago, when a letter was addressed to “Poor Ralph, Polk, NE,” the postal clerks sent it without hesitation to Ralph Redman.) From the Progress, encouraged by Norris, Marsha landed a regular spot as a free-lance contributor to the Lincoln Journal-Star’s columns. She became a speaker on the lecture/banquet circuit. After the Progress became a fond memory, however, she
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When they celebrated their 50th wedding anniversary, she said, they decided to give it another 50 years and see if it works out.
Notes from Margo:
I know you’re supposed to go to upstate New York and the Northeast to see the foliage change
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Surprises continue: We cut through a tiny corner of northwest Missouri as we drove local roads from Nebraska to our first stop in Iowa. Windmills topped every hill (above). Not old-fashioned pump-some-water-up wells. We saw dozens of those huge futuristic three-bladed power generators that back in California dominate the Altamont Pass. We saw the first ones turning slowly and majestically in the distance as we crossed the darkly powerful Missouri River. We saw the last ones as we approached the sign reading “The People of Iowa Welcome You.” We’re
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We camped on the Missouri River at tiny Brownville, which Lynn wanted to see as part of research for the book he’s been working on (and not working on) for about five years now. (More from Lynn later on this.) But for me, one of the highlights was a bike ride on the “Steamboat Trace” path, which follows the river for about 25 miles. I rode only a few miles up and down the fine crushed limestone gravel path. It runs a bit away from the river, well away from traffic, through the multi-colored foliage, past fields, along levees. At a creek crossing, some rowdy woodpeckers called attention to themselves. They had the coolest flight pattern: They gave a few wingbeats and then coasted in a roller-coaster, up-and-down path. I checked the iPhone’s birdbook. It has a search function like this: I’m in Nebraska. There’s a woodpecker I don’t know. It gives me four choices. Based on the flight pattern, there’s only one it can be. Red-bellied woodpeckers. My first.
We had started reading ahead in the AAA tourist guide after we realized in Washington state that we had driven right through a town that had the country’s only bridge built just for
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And a lovely visit it was, starting with the view from the parking lot. The exterior of the International Quilt Study Center and Museum is sheathed in bricks laid in patterns like quilting blocks. Also the bathroom tiles, the marble-block flooring and the pattern in the window panes – all quiltish. The collections on display are relatively small, probably only a few dozen, but each of the works has detailed descriptions of the times they reflect, the women who made them, the dyes and the the fabric showing the technology of the times. That was a rewarding hour or two, but another really cool bit was that they have more than 800 of their quilts in digital images that you can search in their “virtual gallery.” So, for instance, I’m interested in the red and white quilts of the early 1900s, and strip quilting as a technique. (One of the strip quilts is pictured.) So, I could search for those quilts and then project them, larger-than-life-size, on a huge screen.
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Notable: We also bypassed a new tourist attraction in northwest Nebraska, a long way from our path. It's a replica of Stonehenge created from old cars stacked on top of each other and painted gray. It's called Carhenge.
Mileage from Emerald, Nebraska, to Brownville: 91
From Brownville through Des Moines to Boone, Iowa: 222
Mileage so far: 4,153
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